Moving the Apostrophe

“That apostrophe is in the wrong place!”

I was unhappy.  It’s not a mistake I’d usually make.  I’m a stickler for correct grammar and punctuation.  Oh, that doesn’t mean I don’t make errors; it simply means they usually have been corrected by the time I deem something fit for public consumption and click the button to post it.  After I’ve read it over five or ten times.

But there it was, as clear as you please.

I was reposting an old note I had written a couple of years ago on my social media account.  At a time when I was tired, hot, and covered in dust, I had seen the beauty of the sun shining through the trees, making the humid, dusty atmosphere glow with the bright rays of heavenly light.

“As I mowed my neighbors’ yard yesterday, I looked up from the hot and dusty task before me to see this.”  Those were the words with which I started my post.

Except there is just one person who lives there.  The fact that I placed the apostrophe after the s that made the word neighbor plural meant more than one person was living there.  I should have placed the apostrophe between the r and the s to make it a singular possessive word.  

You see, my neighbor is a widow—her husband having passed away nearly two years ag. . .

Oh.

When I wrote it, two people were living in the house next door.  One of them, my friend Skip, would leave this world for the next a mere two months after it was written.

I did!  I did put the apostrophe in the right place!

I feel as if I should be happier. Being right should be more joyful than this.

And yet, I’ve been looking at that apostrophe for the last hour or two.  It was in the right place when I wrote the post, but it’s not now.

I’m not sad about how a sentence was written two years ago.  I’m sad that all it takes to correct the loss of my friend is to move an apostrophe, the tiniest of punctuation marks, one space over.

One space—his loving wife’s loneliness and loss, shown in that tiny action.  All the sadness of his children and old friends summed up in a movement of less than a quarter of an inch.

Perhaps though, my sadness is even more deeply rooted than this one exercise in grammatical nerdiness.

I stood with dear friends in church today and, speaking with them, realized anew that I will not do that with one or both of them many more times in this world.  Health fails; the body refuses to continue on in its earthly mission.

Life on this spinning ball of water and rock is precarious.  It’s short.  And, unpredictable.

Today is a good day to hold close those our Creator has given us.  It’s the perfect day to say, “I love you,” to everyone to whom the words apply.

Do (and say) the important things now, while the apostrophes and commas are still holding firm.

Tomorrow, the commas may all turn to periods—the apostrophes may slip over a space.  The Author of our story writes and edits as He sees fit.

Of course, if the punctuation holds fast and isn’t moved until years in the future, we’ll simply have made the world a better place to be for all those extra days.  And, our longer stories will be more lovely to read because of it.

And that seems to be acceptable.  To me, anyway.

I hope you agree.  If you don’t, send me a note. 

Just try to get the punctuation right, will you?

 

“The Lord gives, and the Lord takes away. May the name of the Lord be blessed!”
(Job 1:21, NET)

 

“As I mowed my neighbors’ yard yesterday, I looked up from the hot and dusty task before me to see this.
Nothing spectacular. Just the sun’s rays shining through the dust that hung in the air. Somehow, life just seems a little sweeter in the light.
The heat seems unbearable. It’s not.
The sadness seems crushing. It’s not.
The dread of what lies ahead seems overwhelming. It’s not.
Our hope never was in the stuff of this world. Time to look higher.
‘The light shines in the darkness, and the darkness has not overcome it.’” (John 1:5, NIV)
(from a Facebook post on July 7, 2022)
© Paul Phillips. He’s Taken Leave. 2024. All Rights Reserved.

To Walk and Not to Fall (It Isn’t as Easy as It Looks)

image by Paul Phillips

I told the Lovely Lady that I probably would never write again.

“I think the well’s run dry.  I’ve been struggling to find something to write about and there is no more.  Nothing.”

She laughed and went back to her reading.  She knows me.

I’ve been here before.

Still. . .

As I sat, head in hands, a thought hit me.  I should search on my phone.  Occasionally I write notes there to be ready for times such as these.

I would check there.

Nothing.  Well, nothing I had saved recently.

I went back further; way back to the year of Covid.  You remember.  No school.  Working from home.  No toilet paper.

I saved two thoughts on the same day in March of 2020, the month the lockdown started in the USA.

They make no sense—there on the screen without any context.  Like raw dough lying on a table before it is shaped into what it is to become, it’s difficult to visualize a purpose.

“Walking isn’t as easy as it looks.”

“Stingy with the rotten notes, but generous to a fault with the beautiful, sonorous ones.”

I have no memory of writing either sentence.  In an attempt to remember the reason for the words, I cast my mind back a few years.

I remember those long walks.  There wasn’t much else to do, so I walked.  Often by myself—sometimes with her.  Every day.  Miles, one foot in front of the other.

Easy.  Walking was easy.

Well, maybe the other one, then.  Rotten notes.  Beautiful and sonorous ones.  Stingy and generous.

Oh yes!  I remember hours of playing my horn.  The French horn, that ill wind that nobody blows good.

There were lots of rotten notes.  Not so many beautiful, sonorous ones.

Somehow, as I looked at the words on the little screen before me, the two statements began to coalesce, two separate thoughts becoming one theme.

Maybe walking isn’t all that easy.  I don’t remember learning to do it.  I have watched many babies who are in the process, though.

No; it’s not as easy as it looks.  Not nearly.  Babies fall, over and over.  They get up to try again.  Sometimes after falling, they stay where they are, crying. Parents and grandparents lift them up, comforting them as well as coaxing them to try again.

It’s hard work, this walking thing!  And somehow, although there are a few years in between when we don’t worry about our walking ability, many aging humans will experience times when the difficulty of staying upright hits hard again (pun not intended).

A friend wrote today of a fall induced by a necessary medication.  She is in pain now.

Walking isn’t as easy as it looks.

But then, not much we do is.  Practice and experience lend themselves to a certain level of skill.

I spoke about the music notes, remembering my own difficulty.  During that same time period, a famous cellist named Yo-Yo Ma began, in his own isolation, to offer video recordings of himself playing solos on his beautiful instrument.  Just him.  And his cello.

Now, there’s a man who is stingy with rotten notes—who is generous with the beautiful, sonorous ones.  What lovely recordings he produced for the world during those difficult days!

Effortlessly, he would draw the bow across the strings, evoking a tonality with no hint of discord.  Without difficulty, his fingers found the exact placement for each note to sound precisely on pitch.  Every single note.

He made it seem so easy.

Inspired by his example, I played my horn at home, albeit generous with the sour notes and giving freely of bobbled attacks. In fairness, there were some beautiful, sonorous notes to be heard.  Just not as often as I could have wished.

It is not only walking that’s not as easy as it appears.  Skilled production of anything worthwhile takes practice—diligent application of ourselves to the thing we want to accomplish.

We know that.  With every new thing, we know that.

Coloring inside the lines was once impossible for most of us.  Holding a pencil to write our letters—nearly unthinkable.

The list is unending. Riding a bicycle. Learning to whistle.  Combing our own hair. Baking a cake.  Those don’t even begin to scratch the surface.

And yet, knowing nothing comes easily, we still look enviously at others in their areas of expertise and wonder why we can’t do what they make appear so elementary.

We become discouraged when we fall short, seldom remembering that practice and repetition are what made them better at it.

And we forget that we are not performers, showing off for an adoring public, but servants of a Loving Creator who knows us and our frailties.

He knows us.
He knew us before we were born.
He knows how many hairs are on our heads.
He has counted the tears we’ve shed while on our journey.

We walk for Him.
We play our music for Him.
We complete our tasks at work for Him.
We love our neighbor for Him.

None of it is as easy as it looks.

But the music is sweet. It is stingy on the clinkers.  It is generous beyond belief in its beauty and fullness.

And, as we journey here, there are others who walk alongside us and help us to stay upright.

Not easy, but rewarding beyond any compensation this world could ever offer.

There may be more to write about, after all.

But, don’t tell that to the Lovely Lady.

 

Whatever you do, do your work heartily, as for the Lord and not for people. (Colossians 3:23, NASB)

Make music to the Lord with the harp,
with the harp and the sound of singing,
with trumpets and the blast of the ram’s horn—
shout for joy before the Lord, the King.
Let the sea resound, and everything in it,

the world, and all who live in it.
(Psalm 98: 5-7, NIV)

 

© Paul Phillips. He’s Taken Leave. 2023. All Rights Reserved.

Shining Through

I’ve lived with her for over forty years and, still, she gets me into trouble. I’m sure I would never fall for these traps if it weren’t for her. Well—almost never.

It all started innocently enough.

“I need to pick up a few books at the used-book store, dear. Would you go with me?”

She knows the answer to that question. I can’t say no to a chance to expand the library. Especially at bargain prices. We went.

I found books. Many of them weren’t at bargain prices. I’m lamenting most the book of children’s poetry with hand-colored prints. It could have been mine for only a hundred twenty-five dollars.

I settled for a smaller volume that set me back only four. Four dollars for a book over a century old. There was no extra charge for the yellowed paper on which it was printed. None for the musty odor that emanates from the turning pages, either. A bargain. Really.

But you’re still wondering how she got me into trouble, aren’t you? Clearly, the cost of the little poetry book wasn’t the issue.

It’s just that I wasn’t paying attention and didn’t see the trap until it was too late. Caught! Sucked in like the tiny ants ambling past the doodle-bug pits in the dirt under the carport of my childhood home.

They never intended to go into those pits, either.

Okay. It’s just that the snack-cake bargain outlet is right next to the used-book shop. Thirty strides away from where I parked the pickup. Maybe fewer. I know it was close enough to smell the honey-buns. And, the Swiss cake rolls.

I haven’t yet been able to do the math required to determine how many miles I’ll need to ride on my bicycle. In truth, I’m barely starting to add up the calories I’ve ingested. Tomorrow.

But now you understand how it was that I came to be sitting that evening under the old table lamp, reading the little volume of poems, coffee cup in hand. There may also have been a honey-bun close by (or was it an oatmeal cream pie?).

I read poem followed by poem; after some, affirming the wisdom of my purchase and, after others, bemoaning the pricey volume that remained sitting on the shelf at the book shop. Still, for four dollars, it wasn’t a complete disappointment.

After half an hour of sitting—well, flopping really—I don’t sit while I read. Anyway, after half an hour. . .You know, I still remember the red-headed lady who raised me—years ago—sternly reminding me to get my feet off her coffee table. That was only moments before she shouted at me to get my feet off her wall. That’s right. Turned upside down, heels dirtying the wallpaper, I would read for hour after hour. As a child. I can’t read that way any longer. (You know—blood rushing to head, stiff joints, and everything else that comes with age.) Now, I simply scooch down in the easy chair, just far enough to get my feet on the chair facing me. It just feels right.

I never realized how low this position put me in relation to the lamp beside my chair. There never has been a reason to notice it. There certainly was this night.

After half an hour of sitting (I knew I’d get here finally!), as I turned a page, a shadowy image appeared momentarily behind the print. As the page laid back against the others, the image disappeared. I searched for it, but couldn’t find it again.

Thinking I must have imagined it, I continued reading the old volume. But, moments later, as I flipped another page, the image was back.

What was going on? Did I buy a haunted book? What was this strange image?

I separated the pages, holding a single one up to the light. There it was! Along with the skeleton-like lines that showed in the old laid paper, a watermark was clearly visible. A circle of leaves on stems, curled around the poet’s initials.

On every page held up to the light, I can see the same watermark. Somehow, I feel better about my purchase now. A watermark simply informs the interested party of who had made the paper, a modern-day signature of the artisan, if you will. I made this!

We don’t see watermarked paper much anymore. Not the real thing, anyway. I bet if the shop had known about it, they would have charged six, maybe even eight, dollars for the little volume! Or, maybe not.

Funny, isn’t it? Something most people would never see makes the book more valuable to me.

As I write, I begin to wonder if I’ve lost the interest of my readers. It is, after all, a discussion of things of antiquity, meaning nothing to most who will read these words. Perhaps something a little more up-to-date might help.

Those of my readers who live in the United States see watermarks in use almost every day. The purchase of a container of milk or a loaf of bread will suffice. Put your groceries on the counter and reach into your pocket as the cashier tells you the total. Smiling, you draw out a twenty-dollar bill and think nothing of the nice lady holding the bill up to the light to— that’s right! —verify the presence of the watermark. All modern U.S. bills over one dollar have them. Many overseas currencies use watermarks, as well.

It matters who printed the paper and put the watermark there. It matters a lot.

And then, I stop to think about the times we describe our future, the days and moments lying just ahead, as a blank page waiting to be written upon.

And suddenly, I wonder what sort of paper my life story is being written on.

I know what’s being written on the paper (and I’m not always happy about how it reads), but when my pages are held up to the light, what appears for all to see?

Is there an imprint on every page, and whose is it?

Is there an imprint on every page, and whose is it? Share on X

Am I writing on paper that will last?

Some time ago, I noticed a fellow working in his garden, but he wasn’t plowing or planting. He was burying paper. Really. Burying paper. I stopped to express my puzzlement and he was happy to explain.

“I have lots of old business records and unimportant communication. The paper turns to dirt soon enough, so I bury it instead of sending it to the landfill.”

I’d like to write on better paper than that.

And, I’d like to see something far better than myself shining through when it’s all—the whole messy project—held up to the light. I believe He’ll do that. The words of the Teacher ring in my head almost daily: Let your light shine as you do good to men, and they’ll glorify God who is in heaven. (Matthew 5:16)

I want His mark on my life’s story. You?

Sooner or later, we’ll all be held up to the light.

Through all the scribbles and strike-throughs, the illegible script written when we had too little sleep and not enough coffee, what shines through matters more than anything we could ever write ourselves.

Quality paper. Clearly marked.

Definitely worth more than four dollars.

 

 

God does give us more than we can handle. Not maliciously, but intentionally, in love, that His glory may be displayed, that we may have no doubt of who is in control, that people may see His grace and faithfulness shining through our lives.
(Katie Davis ~ American author/missionary)

 

But on the judgment day, fire will reveal what kind of work each builder has done. The fire will show if a person’s work has any value. If the work survives, that builder will receive a reward. But if the work is burned up, the builder will suffer great loss. The builder will be saved, but like someone barely escaping through a wall of flames.
(1 Corinthians 3:13-15 ~ NLT ~ New Living Translation, copyright © 1996, 2004, 2015 by Tyndale House Foundation. Used by permission. All rights reserved.)

 

 

© Paul Phillips. He’s Taken Leave. 2019. All Rights Reserved.

 

Tell me the Story

In moments when I least expect it, clarity arrives.

I sat, with others around me, in a service the other day and noticed the lady at the keyboard. I know her. She was my neighbor for upwards of fifteen years. I have heard her sing. I have heard her play.

All I expected was to enjoy the music—possibly to reflect on some lyrics. It would be nice.

Nice isn’t what happened.

I hope you won’t mind. I think we call it epiphany. With a small “e”.

An arrival. A light, small but bright, blazed as my friend sang the old familiar hymn. I have never thought of it before. Never.

Tell me the story of Jesus,
Write on my heart every word.
Tell me the story most precious,
Sweetest that ever was heard.

I can’t tell you how many times I have sung the words. But, in her simple gift of song, the words shone with a clarity I’ve not known any other time.

The writer of the letter written to the Hebrews describes it as the fulfillment of a promise made long before. In your hearts, He will place His commandments, and on your minds they will be written indelibly. (Hebrews 10:16-17)

Is a little of that light shining through yet? Maybe, it’s just me.

Every word. Written on my heart.

Every word. Written on my heart. Share on X

I am moved. Overwhelmed, even. But, the light shines on past the initial reaction and I start to wonder.

Is it just for me that He has written on my heart and in my mind?

You indulged me when I wanted to call it an epiphany. Will you indulge me a bit further?

I know the heart mentioned in the Book isn’t the physical, beating organ, but it is the center of our very being—the existence of which we cannot function without. If the physical heart circulates the life blood our brain and entire body must have for life, surely the symbolic heart we describe must circulate the very essence of who we are.

If we follow Christ, He is the essence of our being. Circulating through our veins.

So, I ask again: Is it only for my benefit that He lives within my being?

It is for my benefit. To that, there can be no argument. But, what of those around me? Those who have sin—and loss—and, in the end, death—written on their hearts?

He has put eternity in our hearts!  How could we keep that quiet?

The Apostle—my namesake—lays out the process.  How shall they call on Him unless they believe?  How will they believe unless they hear?  How could they possibly hear if we don’t tell them? (Romans 10:14)

He is the foundation, the Rock at the center of our existence!  How could we hide it?

How could we not tell the story?  How could we not ourselves write the words which have been written in our heart?  Or, speak them?  Or, sing them?

Every word, every action declares who (and whose) we are.

Well, well.  An epiphany in the season of Epiphany.  A small light as we acknowledge the Light of the World.

The Word who was born in a stable, in reality came to be inked on our hearts.  And, He invites us to share His story by sharing our own.

The Word.  Written on our hearts.

To be written on the hearts of others.

Time to tell the story. 

Again.


There is no greater agony than bearing an untold story inside of you.
(Maya Angelou ~ American Poet ~ 1928-2014)

If I told you my story
You would hear Hope that wouldn’t let go.
And, if I told you my story
You would hear Love that never gave up.
And, if I told you my story
You would hear Life, but it wasn’t mine.

If I should speak, then let it be
Of the grace that is greater than all my sin,
Of when justice was served and where mercy wins,
Of the kindness of Jesus that draws me in.
Oh, to tell you my story is to tell of Him.

If I told you my story
You would hear Victory over the enemy.
And, if I told you my story
You would hear Freedom that was won for me.
And, if I told you my story
You would hear Life overcome the grave.

If I should speak, then let it be
Of the grace that is greater than all my sin,
Of when justice was served and where mercy wins,
Of the kindness of Jesus that draws me in.
Oh to tell you my story is to tell of Him.
(Music Publishing LLC, Open Hands Music (SESAC) (All rights on behalf of itself and Open Hands Music adm. by Sony/ATV Music Publishing LLC)
Writers: Mike Weaver / Jason Ingram

 

© Paul Phillips. He’s Taken Leave. 2018. All Rights Reserved.

Why?

She sits and stabs the needle through the material, first down and out of sight, then right back up beside the spot it disappeared.  For hours, she does this.

Intricacy.  Detail.  Painstaking industry.  All are parts of what go into the task—the unmitigated drudgery—that is counted cross stitch.

For a few moments tonight, we discussed philosophy.  The Lovely Lady doesn’t discuss philosophy—or politics.  But tonight, I trapped her.  For just a moment or two, I had her talking about why.

It’s a big subject—Why.

I’ve been reading a two-hundred-year-old book.  What I mean is, the author penned the words two hundred years ago.  The actual volume in my hand is only one century old.

Washington Irving, he of Rip Van Winkle fame, suggests in his Sketch Book (ca. 1819) that writing books is a futile endeavor.  The sacrifice of a lifetime for authors, only to slide the fruit of their labors onto an “inch of dusty shelf…and in another age be lost even to remembrance.”

His words started the why bother wheels into motion for me.  What is the use of writing?  Why would I ever want to publish a book, much less a single essay?

With those heavy thoughts running rampant in my head, I baited the Lovely Lady.  She is a fan of mine—perhaps the only one—and has been gently nudging me toward publishing a book of my material.

“I’m rethinking this book idea.”

She listened to my words with disbelief.  Then, for a few moments, she did what she doesn’t do; she discussed philosophy with me—the philosophy of useless deeds.

It didn’t take long.  After a little give and take, she looked down at her lap and, shaking her handwork in my direction, finished the discussion.

“Why do you think I do this?  Some things you do simply for the joy of doing them.  If writing doesn’t give you joy, then stop.”

With that, she went back to the tiny stitches again, the needle moving like clockwork, first one way and then the other.

The red-headed lady has a point.  But, there is more to it, isn’t there?

I think about the can of worms she has just opened.  She sits for hour after hour of what should be her leisure time, and she turns thread and cloth into art.  Sometimes, she uses a different needle and turns yarn into blankets—or shawls—or scarves.

Hours, she invests into each item.

She gives them away.  Every single one.

Suddenly, in my memory, I am standing in a large plot of plowed dirt watching an old man with a hoe.  He is making a small furrow in the dark, damp soil.  Reaching into a pocket, he pulls out some tiny black particles, dropping them into the furrow before pulling the dirt right back over them.  Tamping them down a little, he smiles and nods as he reaches the end of the row.

2014-04-21 08.44.08Hours, the old man spent in that garden.  My father-in-law loved the garden.  I guess I should say he loved working in the garden.  It was true of him even as a little boy.

He loved thinking about working in the garden.  In the middle of the winter, he was poring through seed catalogs, scheming about how he could change the layout next year to include this certain green bean, or that special cabbage type.

As I let the thoughts float in my head, memory mixed with present realities, a truth comes to mind—one I have never considered.

The old man and the Lovely Lady love the same thing.  They love planting seeds.  Their joy is not in the crop (though they desire that it become reality), but simply in the promise of the seed.

Sowers.  That’s what they are.  I suppose the bad pun of suggesting the lady is a sew-er would be inexcusable, so we’ll just stick with sower, shall we?

Well, one might say, the old man certainly is that, but how is it true of the Lovely Lady?

It’s easy to see.  She spends her hours in preparing the blankets, the scarves, the shawls, and then she buries them in the ground.  Well, not literally, but certainly figuratively.  She gives them away and her part in their journey is done.  What happens next depends on the recipient.

The joy of the sower is in the anticipation.  Anticipation of growth, of longevity, of usefulness.  He or she is not responsible to ensure these happen, but simply to give them an opportunity.

And with that, I realize that our Creator, benevolent Provider we know Him to be, puts in our hands the things He wishes us to sow.

Music, art, communication, mechanical ability, wealth—all of these and more, He invites us to sow.  

We sow, not for the harvest we will reap, but simply for the joy of doing what He has made us to do.  

He tells us to work industriously at whatever we put our hand to—not for our own reward or to reap the harvest for ourselves, but in His name and for His glory. (Colossians 3:17)

I can’t skip over the hard truths, along with the pleasant ones, though.  The seeds don’t always take root.  They often meet misfortunes along the way.

It is hard not to take it personally when that happens.  

When you see an item over which you labored long hours selling in a garage sale for a few cents, it’s easy to lose heart.  I’ve stood with the Lovely Lady in flea markets, as she sadly fingers the work of others, now languishing in a strange place, awaiting some stranger who will see the beauty and appreciate the love that went into its creation.

I wonder; do you suppose the One who sows His love and grace in our hearts, stands and weeps as He sees how far astray we’ve gone?  It is what we are wont to do with His gifts, devaluing them and disregarding the Giver.

Still, He plants and cultivates—and sows again.  

I will be a sower.  It is my calling.

It is our calling.

It’s a difficult undertaking.  We want the compensation.  We want the glory.  We want the fame.

He calls us to sing songs that never make the top lists—or any list at all.  He calls us to invest in others with no chance of a profit for ourselves.  He calls us to cook meals that others will eat—and perhaps complain about.

He calls us to write books that will sit on the shelf awaiting that one person who will open the aging tome and be changed forever—even if it doesn’t happen until we’ve been gone a year, or a hundred years.

He calls us to give cups of cool water—even if we’re the ones who are thirsty.

The joy is in doing what He has put in our hands and hearts to do.  

The beauty is in giving the gift.  

The reward is in obedience.

Seeds are made to be planted.

It’s time to work in the garden.

.

 

 

My point is this: The person who sows sparingly will also reap sparingly, and the person who sows generously will also reap generously.
(2 Corinthians 9:6 ~ NET)

 

Such is the amount of this boasted immortality.  A mere temporary rumor, a local sound; like the tone of that bell which has tolled among these towers, filling the ear for a moment, lingering transiently in echo, and then passing away like a thing that was not!
(from The Sketch Book ~ Washington Irving ~ American author ~ 1783-1859) 

 

 

 

© Paul Phillips. He’s Taken Leave. 2016. All Rights Reserved.