Change in All Around, I See

Personal Image

I don’t like change.  Well—sometimes, I do.  And then—I wish things hadn’t changed after they do.

I’m not explaining this very clearly, am I?

Let’s see if I can do better.

I like trees—especially old ones. Old trees exude comfort and reassurance that all is well with the world.  They are a constant—a connection from former generations to the future.

They’ve seen it all, lasting through the storms and the seasons, standing firm.

It makes me sad when old trees are cut down.  Except when it doesn’t.

Oh.  Here I go again—talking in circles.

Give me another chance, will you?

The old mulberry tree stood outside the kitchen window.  For well more than sixty years, it gave shade from the sun blasting down in summer.  There were berries in the spring.  Berries that fed the birds by the thousands and provided the residents of the old house with flavorful complements to their cereal and, perhaps, even filling a pie or two.

The tree has been a constant throughout the life of the Lovely Lady who lives in the old house with me.  She was brought to this home from the maternity ward in the hospital and doesn’t remember a day when it wasn’t there.

Even I, as a relative newcomer (not yet fifty years) to the family, have walked under it on many spring days, pulling down a handful of the purple fruit to munch on, tossing the stems to the ground under the lovely old tree.  I have stood under its shade on many a sweltering summer afternoon, grateful for the protection from the sun.

The twisted, gnarled old tree always brings a smile to my face when I think of it.  I loved it and thought I would never want it gone.

I don’t like change.

But, it has been evident over the last three years that the funny little tree was reaching the end of its life.  The branches at the top began to lose their leaves, drooping lifelessly toward the ground below.  And this year, there were almost no leaves to be seen anywhere on the tree, except the few that popped from the trunk itself.  Not a single branch bore any sign of green.

I hate to cut down trees.  Especially old friends such as this lovely little mulberry.  And, it could have stayed right where it was, limbs drooping to the ground, for several more years.  Except for one thing; those drooping limbs (and a large part of the upper trunk) hung right over the power line dropping down to the house.

Winter is coming.  It is.  We live in a relatively temperate area, but in most winters we get at least one or two storms coming through that drop what the meteorologists like to call freezing rain.  Simply put, water falls from the sky into the extremely cold air near the ground and freezes solid on every surface upon which it lands.

Water is heavy.  Freezing water coating the limbs is a disaster waiting to happen.

I wanted the problem taken care of before winter comes.  My heater won’t work if the electricity is interrupted, and I need heat in the winter.  Most folks do.

My old friend, Isaac, came by last week to remove the old oak tree across the street (a story for another day) and I asked him if he could extend his stay in the neighborhood long enough to take care of my problem.

He wondered if I could wait for a few weeks.  I couldn’t.  Even the few days I had to wait for him to finish the other job was a few days too many.  The tree needed to come down ASAP!

You see?  Sometimes, I do like change.

Yesterday, Isaac took the tree down.  Limb by limb, section by section, it came to the ground.  I was happy to see the limbs on the grass.  Especially that section that hung over the power line.

Soon, all that remained was the twisted and gnarled old trunk.  My friend knows what he is doing.  He left enough weight above the trunk on the side to which he wanted it to fall.

He didn’t even have to cut a notch near the ground like you see most of the lumberjacks doing in the movies.  Just a straight cut right above the level of the dirt.  A push, and it was done.

The mulberry tree lay on the ground waiting to be cut into smaller pieces the tractor would lift into the trailer.

I wish it hadn’t.

You see, I don’t like change.

Most of us don’t.  We hold on to the things that make us comfortable.  Even when it’s clear that they are rotting and decaying, we hold on to them.  And then, when they are finally wrenched from our grasping, clinging hands, we bemoan their loss.

As if those things could ever last forever.

Years ago, I played the old portable pump organ (and sometimes a real piano) for my Dad at the nursing homes where he preached on Sunday afternoons.  He would let the old folks pick the songs they wanted us to sing.  One we sang again and again was “Abide With Me”.  It was far from my favorite then.

I like it now.  I think it’s because I understand it better.

“Swift to its close ebbs out life’s little day;
earth’s joys grow dim, its glories pass away.
Change and decay in all around I see.
O thou who changest not, abide with me.”
(from Abide With Me, by Henry Francis Lyte)

Come to think of it, part of the change we’ve lived through is the moving away from common use of the old hymns.  It’s part of the natural ebb and flow of life, but we don’t like that change, either.

All things move on.  They always have.

My young friend, who writes songs for followers of Christ today, wrote a line in one of his songs a few years ago.  It’s as powerful as the last line in the old hymn above.

“You cannot change, yet you change everything.”
(from Rest in You, by Leonard/Jordan/Fox)

It’s true—there is decay in everything around us.  Science tells us that everything is decaying.  And yet, there is new life.  And growth.

And, these places of discomfort we move into become places of comfort.  Places we’ll eventually move on from again.  And again.

Change and decay in all around I see.

But God—He never changes.

A Rock.  A Fortress.  The place we run into and find rest.  Before change comes—again.

More trees will grow.  And fall.

We have a certain anchor in every storm.

In a world of change and decay, a Solid Rock.

I still miss the old tree.

 

“Change is the law of life.  And those who look only to the past or present are certain to miss the future.”
(John F Kennedy)

Long ago you laid the foundation of the earth
    and made the heavens with your hands.
They will perish, but you remain forever;
    they will wear out like old clothing.
You will change them like a garment
    and discard them.
But you are always the same;
    you will live forever.”
(Psalm 102: 25-27, NLT)

© Paul Phillips. He’s Taken Leave. 2024. All Rights Reserved.

 

To Walk and Not to Fall (It Isn’t as Easy as It Looks)

image by Paul Phillips

I told the Lovely Lady that I probably would never write again.

“I think the well’s run dry.  I’ve been struggling to find something to write about and there is no more.  Nothing.”

She laughed and went back to her reading.  She knows me.

I’ve been here before.

Still. . .

As I sat, head in hands, a thought hit me.  I should search on my phone.  Occasionally I write notes there to be ready for times such as these.

I would check there.

Nothing.  Well, nothing I had saved recently.

I went back further; way back to the year of Covid.  You remember.  No school.  Working from home.  No toilet paper.

I saved two thoughts on the same day in March of 2020, the month the lockdown started in the USA.

They make no sense—there on the screen without any context.  Like raw dough lying on a table before it is shaped into what it is to become, it’s difficult to visualize a purpose.

“Walking isn’t as easy as it looks.”

“Stingy with the rotten notes, but generous to a fault with the beautiful, sonorous ones.”

I have no memory of writing either sentence.  In an attempt to remember the reason for the words, I cast my mind back a few years.

I remember those long walks.  There wasn’t much else to do, so I walked.  Often by myself—sometimes with her.  Every day.  Miles, one foot in front of the other.

Easy.  Walking was easy.

Well, maybe the other one, then.  Rotten notes.  Beautiful and sonorous ones.  Stingy and generous.

Oh yes!  I remember hours of playing my horn.  The French horn, that ill wind that nobody blows good.

There were lots of rotten notes.  Not so many beautiful, sonorous ones.

Somehow, as I looked at the words on the little screen before me, the two statements began to coalesce, two separate thoughts becoming one theme.

Maybe walking isn’t all that easy.  I don’t remember learning to do it.  I have watched many babies who are in the process, though.

No; it’s not as easy as it looks.  Not nearly.  Babies fall, over and over.  They get up to try again.  Sometimes after falling, they stay where they are, crying. Parents and grandparents lift them up, comforting them as well as coaxing them to try again.

It’s hard work, this walking thing!  And somehow, although there are a few years in between when we don’t worry about our walking ability, many aging humans will experience times when the difficulty of staying upright hits hard again (pun not intended).

A friend wrote today of a fall induced by a necessary medication.  She is in pain now.

Walking isn’t as easy as it looks.

But then, not much we do is.  Practice and experience lend themselves to a certain level of skill.

I spoke about the music notes, remembering my own difficulty.  During that same time period, a famous cellist named Yo-Yo Ma began, in his own isolation, to offer video recordings of himself playing solos on his beautiful instrument.  Just him.  And his cello.

Now, there’s a man who is stingy with rotten notes—who is generous with the beautiful, sonorous ones.  What lovely recordings he produced for the world during those difficult days!

Effortlessly, he would draw the bow across the strings, evoking a tonality with no hint of discord.  Without difficulty, his fingers found the exact placement for each note to sound precisely on pitch.  Every single note.

He made it seem so easy.

Inspired by his example, I played my horn at home, albeit generous with the sour notes and giving freely of bobbled attacks. In fairness, there were some beautiful, sonorous notes to be heard.  Just not as often as I could have wished.

It is not only walking that’s not as easy as it appears.  Skilled production of anything worthwhile takes practice—diligent application of ourselves to the thing we want to accomplish.

We know that.  With every new thing, we know that.

Coloring inside the lines was once impossible for most of us.  Holding a pencil to write our letters—nearly unthinkable.

The list is unending. Riding a bicycle. Learning to whistle.  Combing our own hair. Baking a cake.  Those don’t even begin to scratch the surface.

And yet, knowing nothing comes easily, we still look enviously at others in their areas of expertise and wonder why we can’t do what they make appear so elementary.

We become discouraged when we fall short, seldom remembering that practice and repetition are what made them better at it.

And we forget that we are not performers, showing off for an adoring public, but servants of a Loving Creator who knows us and our frailties.

He knows us.
He knew us before we were born.
He knows how many hairs are on our heads.
He has counted the tears we’ve shed while on our journey.

We walk for Him.
We play our music for Him.
We complete our tasks at work for Him.
We love our neighbor for Him.

None of it is as easy as it looks.

But the music is sweet. It is stingy on the clinkers.  It is generous beyond belief in its beauty and fullness.

And, as we journey here, there are others who walk alongside us and help us to stay upright.

Not easy, but rewarding beyond any compensation this world could ever offer.

There may be more to write about, after all.

But, don’t tell that to the Lovely Lady.

 

Whatever you do, do your work heartily, as for the Lord and not for people. (Colossians 3:23, NASB)

Make music to the Lord with the harp,
with the harp and the sound of singing,
with trumpets and the blast of the ram’s horn—
shout for joy before the Lord, the King.
Let the sea resound, and everything in it,

the world, and all who live in it.
(Psalm 98: 5-7, NIV)

 

© Paul Phillips. He’s Taken Leave. 2023. All Rights Reserved.

Benedictus—Sometimes Louder is Better

image by congerdesign from Pixabay

Some evenings I sink down in my easy chair and marvel.

Behind closed eyes—and sometimes tear-filled ones—I wonder at the gift of music. Music that quiets. Music that ushers in memories of days long gone. Music that washes away the years, and sadness, and pain.

Some evenings I sink down in my easy chair and do that. On others, I sit in that same chair and expect to do that, but there are different influences at work in the sequence of selections I hear. Perhaps, I should say, another Influence (with a capital I). At least, it seems so to me.

On a recent weekend evening, as I sat, prepared to be calmed and moved, the Influence was at work. I have a group of songs I enjoy. The service I use to bring them up simply would not cooperate that night. Neither the songs nor the artists I have preselected could be found, so I just gave up and clicked the control to play random songs.

I didn’t know the artist. Who is Hauser, anyway? And what was this Benedictus? It was neither a piece nor an artist I’ve ever encountered.

Solo cello with an orchestra.

So simple. So beautiful. So moving.

It began with a statement of the theme by the cello, followed by a restatement or two, and an echo from individual orchestra members (the horn was especially nice). Then with a wave of the conductor’s hand, a chorus—a lovely choir filled with children’s voices—took up the theme.

Quietly, with soft harmonies almost quavering under the pure, clear melody, the soul was lulled to sleep by the haunting music.

The last thing one expected was the pounding of the percussion. And yet, it came.

Instantaneously. Suddenly. Ferociously.

The voices in the choir and the instruments in the orchestra responded as well, leaping to a sudden fortissimo. It was almost frightening. Almost.

The listener in his easy chair—yours truly—was no longer calm or relaxed. The quiet glory of the moment before had become all sound and fury (sorry, Mr. Shakespeare) and there seemed little hope that the previous state would be attained again.

And yet, to my pleasure, it soon was—the bombastic section lasting only a moment before dropping back to the beautiful and simple melody that so enchanted in the beginning.

I was carried away once more. The surprise past, my joy at the beauty was restored. I was comfortable again. Was.

Still, this piece goes in my permanent list to be listened to again and again. I even shared it with my friends on social media. What a singular experience!

I said I was comfortable again, didn’t I? I’m not anymore.

I wish I could leave the matter there. I do wish that. But I never could. The red-headed lady who raised me often reminded me of it.

“Why can’t you leave well enough alone?”

Why, indeed?

But I can’t.  And this is bothering me.

Why did the composer have to make that section so jarring? After the loveliness of the theme, why assault the unsuspecting listener with an onslaught of noise and activity?

Perhaps the lyrics will help. No, I won’t be violating any copyrights here. The words are straight from The Book. In the choral text, they’re in Latin, so I’ve made it a bit easier for our purposes, quoting the English translation.

“Blessed is he who comes in the name of the Lord!” (Matthew 21:9, NKJV)

Lovely words. They are.

Calming words. Reassuring words. Words of comfort.

Sort of like settling down into that easy chair again, aren’t they? The phrase was originally spoken about our Savior one day, as He entered the city riding on a donkey.

Benedictus.

Blessing.

I write the word multiple times a day, expressing my desire for good things for my friends and loved ones.

Blessings!

May you be blessed. 

Like a prayer, the word is, asking for action from our Heavenly Father above. I sit comfortably in my easy chair, and He does the rest.

But there’s more to this, isn’t there?

Life, especially life as a follower of Christ, is not all easy chairs and quiet words. Despite the proclivities of the modern church to be turned inward and feel good about the One who comes in the name of Yahweh and His love toward us personally, our mission—our task—has never changed.

We are to proclaim Him to the world around us. Sometimes, it will be loud. Sometimes, it will be clashing. Sometimes, it will be shocking to the listener.

Always, our intent should be to glorify our Creator and Savior.

The overwhelming drums I heard? The surprising section of music? The words are from the same place in the Gospels.

“Hosanna in the highest!” (Matthew 21:9, NKJV)

A shout of praise going up to heaven!

It’s difficult to do that from my easy chair. I need to act. I need to stand up. Quiet, peaceful me—I need to shout the news.

Cymbals may crash.

I’m not comfortable with that.

The Followers, those twelve men who trailed Him everywhere, had been invited to a quiet place, a place of rest. Yet, instead of comfort, they found themselves at the lake’s edge surrounded by more than 5000 people. And it was time for supper.

“Send them home, Master,” they pleaded with Him. They were missing their rest, the quiet moments, the harmony of shared hymns.

“Show them My glory,” the Teacher replied. “You feed them.”

And they did.

They did.

I don’t suppose it was a quiet affair; nor could it have been all that comfortable, either.

Can you imagine the shouts? The exclamations? The babble of amazement?

I wonder. When did I decide it was time to sit quietly and listen to the music?

Now is the time to be loud. It’s time to make the trumpet call loud and clear.

Really loud.

Especially clear.

It won’t be all that comfortable.

It will be beautiful.

Benedictus. Blessings.

 

Q: What is the chief end of man?
A: Man’s chief end is to glorify God, and to enjoy Him forever.
(Westminster Shorter Catechism)

Sing a new song to the Lord!
  Let the whole earth sing to the Lord!
Sing to the Lord; praise his name.
  Each day proclaim the good news that he saves.
Publish his glorious deeds among the nations.
  Tell everyone about the amazing things he does.
(Psalm 96:1-3, NLT)

 

© Paul Phillips, He’s Taken Leave. 2021. All Rights Reserved.

High and Holy

Image by Tima Miroshnichenko on Pexels

On a recent late spring evening, not long enough ago for the memory to have faded, eight friends gathered in a home for dinner. Dinner and dominoes. And laughter. Perhaps, a few tears. It happens.

We’ve known each other for forty years plus a few. There have been tears. Some of them have come from the laughter. Laughter that starts with a giggle—perhaps a shriek—erupting into full-body fits (you know the kind), and eventually calming down into gasps of amusement with eyes being wiped on sleeves and spare napkins.

Of course, many of the tears never started with laughter. We’ve all raised children; heartbreak was inevitable. Parents and siblings have left this life and we’ve comforted and mourned. All of us are carrying heavy loads of one sort or another by now. We usually share the loads with each other, and we pray about them.

And still, we sit and eat, and laugh. And cry.

And sometimes, we play a game of chicken-foot with the dominoes.

On this Monday evening though, it seemed that something was missing. Something more than a game of dominoes was called for. As we played a second (or was it a third?) round, someone suggested we just needed to sing a little.

So, we sang. A little.

Sometime during the hour and a half we sang, in between songs I wondered aloud if we could keep our friends beside us when we sing in that great multitude of saints in Heaven someday. It only seems logical to me. We’ve sung and harmonized together for over forty years here; surely, we’ll be able to hear these lovely voices when we get up there.

Someone suggested that the singing would be so much better there. I didn’t argue, but I’m pretty sure it can’t be all that much better.

We sang praises. We sang scripture songs. We even sang a kid’s song or two.

There weren’t any spare napkins close to the piano, but I saw some eyes wiped on sleeves a time or two. And, when we finally stopped, hoarse and sung-out, there were smiles on every face.

Somehow, while we sang together, the atmosphere was brighter—the air we breathed in just a little sweeter.

And as we said our goodbyes, all agreed that the time of singing was exactly what we needed to lift our spirits and turn our eyes away from our problems.

No. The children and grandchildren trapped in a foreign country at the epicenter of the pandemic hadn’t suddenly been flown out (that miracle would wait a day or two), siblings facing surgery weren’t instantly healed, and a grandchild dealing with the prospect of a lifelong disease hadn’t been given a reprieve while we sang.

And yet, our burdens were distinctly lighter. All of them.

The storm still raged, but there was joy in spite of it. And peace.

I thought about the evening throughout the week. And I struggled to explain it. I couldn’t.

Then today, on Sunday afternoon, the Lovely Lady and I made our way to the band room at the local middle school for a rehearsal. It was the first rehearsal I had been a part of since the start of the Covid pandemic, nearly a year and a half ago.

The entire group would practice six or seven songs. We (the Lovely Lady and I) had one to play for. The music parts called for a horn and a flute on one song. Only one. I wasn’t sure it would be worth going for.

We went anyway.

We sat, listening to the saxes, trombones, and trumpets as they worked out their parts. I can’t speak for the Lovely Lady, but for me, it was delightful. Yes, there were wrong notes. Perhaps, there might have been some intonation problems. It didn’t matter.

It was wonderful.

And, when it came time for us to play our song, we became part of that community of music makers. We contributed to the wrong notes, at least I did. I may have made an entrance on the wrong beat, or even in the wrong measure. It didn’t matter.

Together, we made music.

There is joy in shared music, a satisfaction beyond the act of combining tonal qualities and counting beats. The process of creating harmonies and countermelodies out of the silence moves well past what the scientific method can explain.

As the music ended and the Lovely Lady and I made our exit, my mind drifted back to that evening of music making with our old friends, wanting to make comparisons. But somehow, the comparisons seemed to fail.

I want to say that the experience with our friends was a high and holy moment.

And it was.

Praises offered to God in a time of storm are repaid with the certain knowledge, the reassurance, of His loving arms holding us tightly through the raging waters. A faith offering, if you will, affirming that our God is faithful.

Paul and Silas knew it as they lay imprisoned in the jail in Philippi. At midnight, they sang hymns. Locked behind bars, with their feet in shackles, they sang and prayed loudly. Knowing it was likely to earn them extra stripes on their backs, they still praised the One they trusted with their lives. (Acts 16:16-40)

We are encouraged, as followers of God, to let His songs fill our hearts and the air around us. Throughout life, whatever our circumstances, we sing, bearing witness to His faithfulness.

And what of the other experience, playing with the folks in the band room? If the singing was high and holy, how do I describe that?

Odd. I think it, too, is high and holy, albeit from a little more earthy starting point. We are God’s creation, designed by Him to live in community. Music is a gift from Him, as is all art, meant to raise our sights from the sweat and pain of everyday existence.

Mere survival was never his plan for humanity. We were designed to thrive and, moreover, to thrive with joy. From Jubal in the early pages of Genesis until modern-day prodigies, music has been a constant in history, a vehicle for faith, for history (storytelling), for entertainment.

As with all of God’s good gifts, many have used it for base, profane ends. And still, music and art have the ability to raise our spirits, to lift our hearts from the burdens of pain and lost love, to bring to mind things higher than our ofttimes drab and difficult circumstances.

Every good gift and every perfect gift is from above, and comes down from the Father of lights… (James 1:17 ~ NKJV)

Bill Gaither wrote the words I sang years ago in a men’s quartet. More than once, I’ve wondered if it was proper to add the part about making music with friends. I’m coming to believe it’s completely appropriate.

“Loving God, loving each other,
Making music with my friends.

As often as not these days, the music I make with others of kindred spirits could best be described as joyful noise. Contrary to our human comparisons and judgmental spirits, God doesn’t ask us to offer Him perfection.

Rather, He asks us to come to Him with open hearts and hands, giving our sincere offerings freely. Joyful noise is a sweet offering to His ears.

Make a joyful noise unto the Lord, all the lands! (Psalm 100:1)

High. And holy.

Making music with my friends.

 

It is in the process of being worshipped that God communicates His presence to men.
(C.S. Lewis)

My heart, O God, is steadfast,
my heart is steadfast;
I will sing and make music.

(Psalm 57:7 ~ NIV)

 

© Paul Phillips. He’s Taken Leave. 2021. All Rights Reserved.