Why?

She sits and stabs the needle through the material, first down and out of sight, then right back up beside the spot it disappeared.  For hours, she does this.

Intricacy.  Detail.  Painstaking industry.  All are parts of what go into the task—the unmitigated drudgery—that is counted cross stitch.

For a few moments tonight, we discussed philosophy.  The Lovely Lady doesn’t discuss philosophy—or politics.  But tonight, I trapped her.  For just a moment or two, I had her talking about why.

It’s a big subject—Why.

I’ve been reading a two-hundred-year-old book.  What I mean is, the author penned the words two hundred years ago.  The actual volume in my hand is only one century old.

Washington Irving, he of Rip Van Winkle fame, suggests in his Sketch Book (ca. 1819) that writing books is a futile endeavor.  The sacrifice of a lifetime for authors, only to slide the fruit of their labors onto an “inch of dusty shelf…and in another age be lost even to remembrance.”

His words started the why bother wheels into motion for me.  What is the use of writing?  Why would I ever want to publish a book, much less a single essay?

With those heavy thoughts running rampant in my head, I baited the Lovely Lady.  She is a fan of mine—perhaps the only one—and has been gently nudging me toward publishing a book of my material.

“I’m rethinking this book idea.”

She listened to my words with disbelief.  Then, for a few moments, she did what she doesn’t do; she discussed philosophy with me—the philosophy of useless deeds.

It didn’t take long.  After a little give and take, she looked down at her lap and, shaking her handwork in my direction, finished the discussion.

“Why do you think I do this?  Some things you do simply for the joy of doing them.  If writing doesn’t give you joy, then stop.”

With that, she went back to the tiny stitches again, the needle moving like clockwork, first one way and then the other.

The red-headed lady has a point.  But, there is more to it, isn’t there?

I think about the can of worms she has just opened.  She sits for hour after hour of what should be her leisure time, and she turns thread and cloth into art.  Sometimes, she uses a different needle and turns yarn into blankets—or shawls—or scarves.

Hours, she invests into each item.

She gives them away.  Every single one.

Suddenly, in my memory, I am standing in a large plot of plowed dirt watching an old man with a hoe.  He is making a small furrow in the dark, damp soil.  Reaching into a pocket, he pulls out some tiny black particles, dropping them into the furrow before pulling the dirt right back over them.  Tamping them down a little, he smiles and nods as he reaches the end of the row.

2014-04-21 08.44.08Hours, the old man spent in that garden.  My father-in-law loved the garden.  I guess I should say he loved working in the garden.  It was true of him even as a little boy.

He loved thinking about working in the garden.  In the middle of the winter, he was poring through seed catalogs, scheming about how he could change the layout next year to include this certain green bean, or that special cabbage type.

As I let the thoughts float in my head, memory mixed with present realities, a truth comes to mind—one I have never considered.

The old man and the Lovely Lady love the same thing.  They love planting seeds.  Their joy is not in the crop (though they desire that it become reality), but simply in the promise of the seed.

Sowers.  That’s what they are.  I suppose the bad pun of suggesting the lady is a sew-er would be inexcusable, so we’ll just stick with sower, shall we?

Well, one might say, the old man certainly is that, but how is it true of the Lovely Lady?

It’s easy to see.  She spends her hours in preparing the blankets, the scarves, the shawls, and then she buries them in the ground.  Well, not literally, but certainly figuratively.  She gives them away and her part in their journey is done.  What happens next depends on the recipient.

The joy of the sower is in the anticipation.  Anticipation of growth, of longevity, of usefulness.  He or she is not responsible to ensure these happen, but simply to give them an opportunity.

And with that, I realize that our Creator, benevolent Provider we know Him to be, puts in our hands the things He wishes us to sow.

Music, art, communication, mechanical ability, wealth—all of these and more, He invites us to sow.  

We sow, not for the harvest we will reap, but simply for the joy of doing what He has made us to do.  

He tells us to work industriously at whatever we put our hand to—not for our own reward or to reap the harvest for ourselves, but in His name and for His glory. (Colossians 3:17)

I can’t skip over the hard truths, along with the pleasant ones, though.  The seeds don’t always take root.  They often meet misfortunes along the way.

It is hard not to take it personally when that happens.  

When you see an item over which you labored long hours selling in a garage sale for a few cents, it’s easy to lose heart.  I’ve stood with the Lovely Lady in flea markets, as she sadly fingers the work of others, now languishing in a strange place, awaiting some stranger who will see the beauty and appreciate the love that went into its creation.

I wonder; do you suppose the One who sows His love and grace in our hearts, stands and weeps as He sees how far astray we’ve gone?  It is what we are wont to do with His gifts, devaluing them and disregarding the Giver.

Still, He plants and cultivates—and sows again.  

I will be a sower.  It is my calling.

It is our calling.

It’s a difficult undertaking.  We want the compensation.  We want the glory.  We want the fame.

He calls us to sing songs that never make the top lists—or any list at all.  He calls us to invest in others with no chance of a profit for ourselves.  He calls us to cook meals that others will eat—and perhaps complain about.

He calls us to write books that will sit on the shelf awaiting that one person who will open the aging tome and be changed forever—even if it doesn’t happen until we’ve been gone a year, or a hundred years.

He calls us to give cups of cool water—even if we’re the ones who are thirsty.

The joy is in doing what He has put in our hands and hearts to do.  

The beauty is in giving the gift.  

The reward is in obedience.

Seeds are made to be planted.

It’s time to work in the garden.

.

 

 

My point is this: The person who sows sparingly will also reap sparingly, and the person who sows generously will also reap generously.
(2 Corinthians 9:6 ~ NET)

 

Such is the amount of this boasted immortality.  A mere temporary rumor, a local sound; like the tone of that bell which has tolled among these towers, filling the ear for a moment, lingering transiently in echo, and then passing away like a thing that was not!
(from The Sketch Book ~ Washington Irving ~ American author ~ 1783-1859) 

 

 

 

© Paul Phillips. He’s Taken Leave. 2016. All Rights Reserved.

Plucking Thistles

Die when I may, I want it said by those who knew me best, that I always plucked a thistle and planted a flower where I thought a flower would grow. *

 

The boy had hope written across his smiling face.

Hope is a beautiful thing, especially in a child. It animates and motivates, forging dreams for the future.  I love the beauty hope generates in young folks.

Hope is not something I enjoy dashing on the rocks of reality.  The results can be ugly.  I don’t love ugly.

This had all the earmarks of ugly.

His father, having told me he was trying to teach his son the trade of picking—of buying used objects for a small amount of money and flipping them for more money, asked me to advise the boy.

The hopeful young man handed me a clarinet-shaped object.  By that, I mean the long black piece of plastic with metal keys attached had been a clarinet in another life.  No longer.

It was unplayable, with bent keys and broken springs.  The pads, the life source for a woodwind instrument, had long ago deteriorated and crumbled away to dust, leaving no way for the individual notes to sound.

A re-pad job on a clarinet would cost more than the price this sad instrument could ever bring.  The other issues—bent keys and broken springs—would only drive the potential investment in the old horn up into the stratosphere.

As I examined the instrument, my dismay showing on my features, the hopeful face of the boy that peered into mine changed perceptibly.  He steeled himself for the bad news he sensed was coming.  I glanced into his eyes and saw the unhappiness there.

What a disaster!

I wondered—for a moment—if I should tell him a fib, a white lie.  Just a little one—for his own good.  I would save his pride and give him hope for another day.

“It’s a fine clarinet, but I’m not buying them right now.  You might check at another store.  They may need it worse than I do.”

Can’t you just hear me?  For him.  I would be saying the words to save him the pain of failure.

I didn’t say those words.  That would have been the easy way out for me, too.  But sooner or later, the boy would have to face two different truths:  First, his investment was not going to bear fruit.  Second, the hateful old shop owner lied to him.

I won’t lie. 

Gently, I began to speak to him about what makes a clarinet play and what gives it value.  Pointing out the catastrophic defects in his instrument, I explain why it would not make sense to repair the horn.

He is disappointed.  Horribly disappointed.

But, he wants to learn.  Asking questions, he probes my store of knowledge so he will make better choices the next time.  I happily share what I know, taking time from my workday tasks to aid him.  We make comparisons with functioning instruments.  We talk about the need for knowledge about the brands of horns and of the importance of a good carrying case.

As he prepares to leave, he reaches out to shake my hand, his tiny one dwarfed by mine.  His father follows suit, expressing his gratitude for my time and my willingness to share.  He mentions a sacrifice on my part to help the young man, and I wave aside the thought.  There is nothing to what I have done, I suggest.

Suddenly, I remember why I do this—why I have done it for a lifetime. 

The opportunity to plant seeds far exceeds the objective of making a profit. 

Oh, I need to make a profit to keep my doors open, but the reward of seeing the eyes of that young man when he left—no longer just full of hope, but also bright with the pride that comes from being treated with respect—no money in the world could ever purchase that.

Some would say the loving thing would have been to let him keep his dream alive—the dream of making money on that instrument.  Some today even suggest that speaking hard truth in the face of error is hateful.

I wonder which is more loving:  Is it to dash his immediate hope as his expectation for the future is built up and he is equipped to meet that future, or is it to keep quiet and let him believe a lie?

petunia2The boy will return, of that I am sure.  The day may come when he has learned the lesson taught him today so well that he is a threat to my own livelihood.  I smile at the thought, enjoying the expectation of his success.

Weeds are uprooted—seeds of hope planted in their place.  What better task could I have?  What more reward could I ask?

How does your garden grow?

 

 

These are the things that you shall do: Speak the truth to one another; render in your gates judgments that are true and make for peace.
(Zechariah 8:16 ~ ESV)

 

Anyone who doesn’t take truth seriously in small matters cannot be trusted in large ones either. 
(Albert Einstein ~ German born theoretical scientist ~ 1879-1955)

 

 

*  (Abraham Lincoln ~ U.S. President ~ 1809-1865)

 

© Paul Phillips. He’s Taken Leave. 2015. All Rights Reserved.