Changing Keys

She’s my favorite pianist, by far. For forty years, I’ve been listening to her play.

I sat in my easy chair watching television yesterday as she practiced the songs she would play for the Sunday morning worship service. The longer I sat there, the more annoying the racket became.

I muted the television.

What? You thought I meant the piano was the unwanted racket? I did say she was my favorite pianist. Without the intrusive noise of the TV, I just sat and enjoyed the music.

Many times, as I have listened with my eyes closed, the music stops and she begins to play other notes—notes not in the melody of the current song. It is almost always between verses of a song and sometimes, it can become a little tedious. Again and again, she goes through the progression, trying different notes here—substituting a new chord there.

Why doesn’t she just go on to the next verse? What does she suppose she’s accomplishing?

But, I hold my tongue and bide my time. I’m sure it will happen in a moment or two. Just give her time to work it out. . .

There it is. She goes back and repeats the last phrase she had completed, along with a few notes—and a chord or two—between it and the first line of the next verse. The result is always a little surprising.

She has modulated to a different key. She’s simply changing keys, nothing more.

If all you did was listen to that part of the practice session, you might not be impressed at all. She stumbles sometimes while finding the right chord to go between the former key and the new one. Don’t tell anyone, but she might have to practice it a few times before she gets it in her head and plays it right consistently.

But, if you’re in the congregation the next morning? All you’ll know is the music is lighter— loftier—with more impact and piqued interest.

The change is worth the effort. It’s worth the trouble.

I’m changing keys, too. But, I should tell you—they’re a different kind of key.

The keys I’m referring to now are the ones in my pocket, on my key ring. Over the last couple of weeks, I’ve replaced half of them with shiny new ones.

Thing is, I like the worn, slightly bent ones a little better. Maybe, a lot better.

The worn keys don’t have sharp edges. They slide into the locks they’re paired with smoothly and comfortably. No fumbling. No jiggling. No complaining under my breath.

But, the doors I used to open aren’t in use anymore—at least, not for me. Someone else will soon unlock those doors early in the morning, and later, turn the keys in the locks as they leave that evening.

I’m practicing with the new keys now. Fumbling in the dark for the right one, I feel for the lock, wishing for old comfortable doors to open in front of me. 

Then again, as I consider my condition, the realization begins to dawn. 

I don’t want to go back.

As I’ve walked through this world, with the companions God has generously provided for the road, there has never been a reward in going backward. Further up and Further in is where He leads.

He gives new keys to open new doors, because He wants me to trust Him and walk through them.

Whatever lies on the other side, if He gave the key, the lock will be worth opening.

Whatever lies on the other side, if He gave the key, the lock will be worth opening. Share on X

New doors. Leading to new adventures. The old doors no longer open for me, their keys passing to others who need to trust as I once did.

I still trust Him.

Time to change keys.

Better and brighter things lie ahead. (Jeremiah 29:11)

He promised.

 

                             

 

A very little key will open a very heavy door.
(Hunted Down ~ Charles Dickens ~ English writer ~ 1812-1870)

 

I’m pressing on the upward way.
New heights I’m gaining every day.
Still praying as I onward bound;
Lord, plant my feet on higher ground.
(Higher Ground ~ Johnson Oatman Jr.  ~ American hymn writer ~ 1856-1922)

 

 

 

© Paul Phillips. He’s Taken Leave. 2017. All Rights Reserved.

 

Don’t Camp Out On It

Are you satisfied?

I’ve written the words before.  

The old Irish pastor had leaned over the pulpit in the little sanctuary—the same one in which the Lovely Lady and I had made promises to each other, years prior.  It seemed to me then that the old fellow was leaning right down into my face and directing the question solely to me.

Twenty years on, it still seems like that to me.

I had not only been married in that room, but I had carried my first-born child proudly in to sit with my friends there.  My second child followed a couple of years later.  I had sung with the choir, played the piano a time or two, and even preached when the opportunity arose.

Life was good.

This was as fine a place as any to settle.  I was satisfied.

Was.

Who did this old Irishman think he was, rocking my boat?  Because, that’s what he was doing.  As he spoke, a restlessness grew in me.  

It was high time I was moving on down the road!  High time.

I’m still not satisfied.  Not yet.

There is more along this road.  As long as the journey has been to this point, there is still a fair distance to go.

There is more along this road—still a fair distance to go. Share on X

I can’t help but remember the lesson I learned the first time I played the piano at the Lovely Lady’s home in the days when we were dating.  Her Mom had been a piano teacher for many years.  I was to learn that it was an identity she couldn’t leave behind with her afternoon piano lessons.

I sat down to the beautiful Chickering grand piano in the living room as my future bride and mother-in-law labored in the kitchen before supper on that evening.  Glancing along the page of classical music before me, I decided it was worth taking the chance and began to play.

I had nothing to be ashamed of for the first few lines of the song, holding my own in picking out the melody and counter-melody.  I even did a fair job of reaching the bass notes along the way.  

Then, looking ahead, I saw a cluster of notes.

Uh-Oh!  I really didn’t like chords all that much.  I usually got a note or two wrong in them and it never came out quite right.  

My brain worked to comprehend the structure of the chord as I finished up the running notes leading up to it.

Miracle of miracles!  I hit every note right in the chord!  Every one.

It was beautiful!  Beautiful!

camp-1551078_640I reveled in the victory!  What a gorgeous chord!  Listen to that!  

Well?  Don’t camp out on it!  

The voice came from the kitchen.  Ever the teacher, the dear lady felt the need to encourage me along on my way, as she did with all her students who took longer than they should to move on.  

I wasn’t done yet.  There was still more music to be played.  A lot more.  For me to stop and revel in my accomplishment would actually diminish what was to come.

A friend shared a short quote this afternoon.  I read the words and felt that restlessness again—the same restlessness I felt twenty years ago when the old Irish preacher asked the question.  You may read the quote below for yourself.

I think perhaps the Apostle said it a little more accurately when he assured his readers that the One who had begun the work in them wouldn’t stop until it was completely finished.  (Philippians 1:6)

What is in the past, impressive as it may be, is simply prelude to the future.  If we stop and camp out to revel in the accomplishment, we may forget to move on and the song will never be completed.  

The Great Composer has a masterpiece for every one of us to make our way through.  Every chord and every note—loud or soft, pretty and resonant, or strident and bombastic—will sound before the end.

The journey is not complete.  It’s not time to set up camp.  

Not yet.

The journey is not complete. It's not time to set up camp. Not yet. Share on X

The old preacher’s question still stands.

Well, are we?

 

 

 

You didn’t come this far to only come this far.
(Mike Foster ~ American author/teacher)

 

Be still my soul:  Thy God doth undertake
To guide the future, as He has the past.
(from Be Still My Soul ~ ca. 1752 ~ Katharina A. von Schlegel)

 

What’s past is prologue.
(from The Tempest ~ William Shakespeare ~ English poet ~ 1564-1616)

 

 

© Paul Phillips. He’s Taken Leave. 2016. All Rights Reserved.