I’m Not Talking About It

Personally, I would rather do almost anything than talk about it.  Come to think about it, it’s clear no one actually wants to discuss it anyway.

Oh, that doesn’t mean no one has anything to say about it.  Just the opposite is true.  Almost everyone has an opinion.  Many are ready to tell me what that opinion is.

But, if we’re going to talk about it anyway, shouldn’t that mean we could listen to each other?  Just a little?  A discussion involves give and take—statement and argument—with all involved parties listening and contributing.

We seem to have forgotten that.

Perhaps, as I do, you believe that everything you have always known to be true was written from the foundation of the earth.  After all, it was taught you by people you love—people you trust.

We are, each of us, the product of our environment.  Our life experiences to this point have shaped our thought processes.  Our education plays a part; our upbringing does, as well.

Many who read my words have a worldview shaped by God’s Word and a relationship with a Savior God.  Therefore, much of what we believe and teach comes directly from the pages of the Bible.  The words do, anyway.

I wonder though, how often we mess up the application.

We study.  We read.  We buy books to explain what we’ve studied and read.  

And then, we take a passage like this one and misuse it:

Stop and think! Do the innocent die?
    When have the upright been destroyed?
My experience shows that those who plant trouble
    and cultivate evil will harvest the same. *

I’ve seen the ideas in print and heard them voiced.  Something similar has come from my lips.  They weren’t direct quotes from this scripture, but the meaning was very close to it. 

Do you know who actually said the words?  

They came from one of Job’s accusers—a friend, if you will—as he sat and comforted Job with half-truths.  The words were true from his perspective, but were not even close to the truth from Job’s.

And God’s.

It strikes me that those words could even have been spoken by someone as they watched Jesus die on the cross.  There is little doubt people nearby would have nodded their heads in agreement.

If I had been alive, I might have been one of them.  

No.  Would have.  

I would have been one of them.
                                        

The boy came in with his grandmother a couple of weeks ago, toting a wooden box with steel strings stretched across it.  He had a smile pasted on his young face, as if in anticipation of the realization of a dream.

melodyharpWe did our best to help the dream along.  The Lovely Lady aided the young man in selecting some instructional materials, while I promised to have the little melody harp in tune when next he and his grandma came to see us.

The music for this little instrument is not written in notation form.  It is simply a printed diagram which lies under the strings of the harp indicating, by location and progression, the strings to be plucked.  The marks are just little dots which are positioned directly underneath the string to be sounded at any given time.

I noticed something odd about the set-up as the Lovely Lady played the tune to Three Blind Mice, on the day we received the music the boy had selected.

If you are the person making the music, standing over the harp and looking down at it from the front, the diagram makes perfect sense.  The notes, if they are in tune, sound clearly and accurately.  Music flows from the little rudimentary instrument, with no question as to the melody.

Yet, from the top of the tiny harp, the dots line up with the strings not at all.  The lines leading from one dot to the next are upside down and backwards, confusing the pattern.  

There is no way the person on the other side of the harp could use the printed music to follow the tune.  The result would be a halting and mistake-ridden rendition, unrecognizable as the song written by the composer.

Sometimes, we have to move to where a fellow traveler is to be able to see his or her perspective on the journey.

Neither the ministry nor the method of another pilgrim is mine to call into question, simply because my ministry and methods differ. 

Perhaps, it is time for us to talk about it—whatever it is.

Perhaps, as we talk, we need to move to a different vantage point to be able to see the view our brothers and sisters see every day.

Perhaps, instead of listening to our own voices filling the air with what we think we know, we could listen to the voice of our God.

He has seen the journey from the other vantage point.

He even walked it Himself.

 

 

This High Priest of ours understands our weaknesses, for he faced all of the same testings we do, yet he did not sin. So let us come boldly to the throne of our gracious God. There we will receive his mercy, and we will find grace to help us when we need it most.
(Hebrews 4:15-16 ~ NLT)

 

“Child,” said the Lion, “I am telling you your story, not hers.  No one is told any story but their own.”
(from The Horse and His Boy ~ C.S. Lewis ~ British novelist ~ 1898-1963)

 

*Job 4:7-8 ~ NLT

 

 

© Paul Phillips. He’s Taken Leave. 2016. All Rights Reserved.

Tip-toeing and Holding My Breath

The house is old and the floor creaks.

Since I was old enough to notice such things, I’ve not lived in any other kind of house.  The sneaky kid I was at seven years of age learned where the noisy spots were.  When one was stealthily slipping out at nap time, that information was key in avoiding detection by lightly sleeping parents.

In much the same way, the sneaky grown-up I am at nearly sixty years of age has learned where the noisy spots are in my current house, as well.  That information is key in maneuvering through the downstairs rooms quietly when the Lovely Lady is sleeping upstairs.  This is not so much because I want to escape detection, as it is that I don’t want to disturb her rest.

I have a suspicion that I am not any more successful at it in these later years than I was as a child.  Still, an attempt must be made.  If one is to wander the house late at night, it won’t do to have the other inhabitants lose sleep because of it.

In all my years of living in creaky old houses, I’ve never encountered a ghost.  Oh, the floorboards pop on their own sometimes, and there are unexplained noises in the night.  Somehow, I think we can eliminate ghosts from the causes there.  No shimmering essence has ever brushed past me on the way down a hallway, and certainly, I’ve never heard the clank of chains.

But, in my head?  That’s a different story.  My head is rife with ghosts.  Some of them are as kind and benevolent as one could wish.  A few are not remotely like that—all screams and anger.   Still others, I barely recognize—long forgotten memories from the dim past.

Tonight, I’m sneaking around on the creaky old floors in my head, in much the same way as I do in the house.  It is an equally vain attempt at not awakening the ghosts who are usually resting there.

Somehow, being ill has that effect on my thoughts.  Perhaps it’s the not-so-subtle reminders of my mortality—the lack of breath, the pain in my joints, the sleepless nights—that lead to the tiptoe walk though the past.

So I said to him——I said——that’ll never go through the door.

My grandfather died the year I graduated from high school, but still I hear his voice, telling another of his stories.  Always—always, they were punctuated with spaces.  They were spaces in which he caught his breath.

When he walked from the front porch to the kitchen, he always stopped at the desk behind his easy chair.  Every time.  Leaning with his big hands on the edge of the desktop, he breathed deep, his powerful chest muscles expelling the bad air and drawing in good.  

As I tried to talk with the Lovely Lady today and gasped for air, mid-sentence, I heard his voice in my head.  Then again, I walked from the den to front door and had to stop and lean on the buffet for a moment and I saw the old man standing there at the desk.

Experience tells me I will breathe freely again very soon.  But, these moments, these brief seasons of walking through the old, creaky house remind me of folks who’ve gone before—people I have loved and who have loved me.

They remind me of other things, as well.  

My grandfather, he of the interrupted sentences, was a storyteller.  He loved a good story.  More than that, he loved being surrounded by people who listened to the stories he told.  The gaps for breathing, at first an annoyance to both the teller and the listener, soon became room for thought and reason for suspense.  A good storyteller uses the tools with which he is provided.  

Grandpa was a good storyteller.  Health impediment or not, he was going to tell his stories.

The thing is, I’m a storyteller too.  You might say, it’s in my blood.  Kind of like the lung issues.  You see, genetics plays a part in my pulmonary problems.  From my grandfather to my son, the males in my family have experienced similar problems of varying degrees.  Without a say in the inheritance, we have each passed down the frailty to the succeeding generation.

May I talk about the storytelling for a moment?  I promise to be nearly succinct.  (Scroll down the page to see if I’m being truthful—I’ll wait.)  The reader will have to be the judge of whether the time is well spent.

Did you know our Creator commanded us to be storytellers?  And, He expected us to pass the love of telling stories down through the generations?  His instructions—oddly enough, passed through another storyteller—were clear.  

Parents tell your children.  Tell them in your home, as you’re hiking on a trail, and when you’re in the shopping centers. Through all the ages, tell them.  Give them reason to believe and to trust in a God who provides and protects. (Deuteronomy 11:18-20

The testimony of previous generations is a bridge over which we cross the raging floods of cultural deception and shifting doctrine.  If we fail to provide those bridges for our children, our progeny will be washed away in the roiling currents and howling rapids.

Tell the stories!  Use words that are accurate and attractive.  Put them to music, rhyme the syllables, and give them rhythm.  Paint them on a canvas, or carve them in stone.

Tell the stories!

12745592_10206853935720800_2029702514110622443_nThe Lovely Lady—my favorite walking companion—and I wandered along an abandoned roadbed just a few days hence, as my current bout with my thorn in the flesh began.  We had a goal in mind, a century-old bridge, now abandoned, but still standing.  It has not carried traffic for a number of years.

A monument to the past, the framework stands.  There is even a roadway across, but a few steps onto it and one soon realizes that it will never support the weight of a vehicle again.  

A monument—nothing more.

Bridges are meant to be more than monuments.  Properly maintained and kept, they smoothly move traffic from the place left behind to the destination.  Abandoned, they serve no purpose, but rust and rot into the landscape, forcing the traveler to choose a different route or be carried away in the flood.

I will build bridges.  

With my last breath, I will tell the stories.

As my companion and I wandered, almost sadly, away from the beautiful old span, I realized that my faulty lungs would make the half-mile trek back to the road difficult and wondered about the wisdom of making the trip.  

I needn’t have worried.  Companions are made to help each other on the road.

We don’t walk the road alone—don’t build the bridges alone—don’t cross them alone.

Surrounded by a great cloud of storytellers, we press on.

To our last breath.  

Tell the Story.

 

 

Do you see what this means—all these pioneers who blazed the way, all these veterans cheering us on? It means we’d better get on with it. Strip down, start running—and never quit!
(Hebrews 12:1,2 ~ The Message)

 

For in Calormen, story-telling (whether the stories are true or made up) is a thing you’re taught, just as English boys and girls are taught essay-writing. The difference is that people want to hear the stories, whereas I never heard of anyone who wanted to read the essays.
(from A Horse and His Boy ~ C.S. Lewis ~ English author ~ 1898-1963)

 

 

 

© Paul Phillips. He’s Taken Leave. 2016. All Rights Reserved.