Christmas Bells (and a few clunkers)

image by Phil Hearing on Unsplash

Late Christmas Eve.

I want to tell you the neighborhood is quiet, but it’s not.  The wind is blowing in from the south.  It’s not a gentle breeze either.

Even inside the house with the windows closed, I hear it howl.  On Christmas Eve, the wind shouts through the oaks that line the neighborhood road.  A single step outside the front door reminds me of the temperature.

Nearly sixty-five degrees Fahrenheit, says the outside thermometer, even as the mechanism in the old mantle clock readies the energy to strike twelve times on the spring that passes for a chime in the ancient timepiece.  I hear it striking faintly as I wander away from the house.  There will be no white Christmas here.

Bells.  I do hear bells out here.  Wind chimes on my house, front and back.  I check the ones in the front where I am and they are swinging energetically.  The D6th chord the circular pipes make as the clapper makes its rounds is reassuring. 

All is well.

Still, I’m not sure. 

So, I wander down the street a few feet.  There are more bells at a neighbor’s house, and I stop to listen for a minute.  When I was in their yard earlier this week, I admired them and found that they have square pipes, not round as mine are. 

No matter.  They make as beautiful a chord as the one I just left at my place, a G7th, if my ear is to be trusted.  But, amongst the dong, dong, dong of the square chimes, I hear a periodic clunk.

I don’t have to trespass in the neighbor’s yard to find the cause.  It’s pretty clear that the whole affair, buffeted by the gusting wind, is hitting the porch’s wooden support beam once in a while as it repeats the beautiful chord.

I laugh.  I know the feeling.  For the last three or four weeks, my life has been wrapped up in playing Christmas music on my horn at various events with other instrumentalists.  I just played earlier this evening with a wonderful collection of humans at our church’s Christmas Eve service.

I do.  I play some beautiful notes.  I don’t think I’m bragging when I say that. But then, the wind (or something else) goes through the horn wrong and a clunker comes out the bell.  Some nights, a lot more of them than can be explained away by bad vision, or sticky valves, or even not getting enough sleep last night.

There are some reading this who understand what I mean.  Come to think about it, it may be most of you who understand it, even if you don’t play a musical instrument. 

Clunkers happen.  All our life, they happen.

I used to wonder if God kept track of all my clunkers. In life, I mean; not my horn playing. Even today, in my dark moments, I still do.

He has a lot of those to tally.  For me, anyway.

But suddenly, I remember what night it is.  And yes, I’m perfectly aware that December the twenty-fifth is almost certainly not the day our Savior came to us as a baby in a smelly stable.  But, it is the day we commemorate the event.  In the season we consider the great love our Creator God showed for every human in the world by sending His Son.

And, the realization stops me where I stand, listening to the beautiful, tuned chimes as they whirl and gyrate in the unbridled wind.

God Incarnate, Emmanuel, our God With Us, came to earth and was born a baby, not because of our beauty and attractiveness.

He came because He loved us and wanted us to be with Him.

Period. 

Or, if you prefer the term our British cousins use—Full Stop.

It is worth a moment or two of consideration.  Perhaps, even an hour or—and, I know this is extreme—a lifetime.  It might just take that long to take it in.

Clunkers and all, His grace reached down into our midst and gave us—Himself.

Love and Light come down to dwell with us.  To die for us.  To give us life.

With Him.

Even when things don’t go as we planned.  When we fall on our face.  When we stand in front of the crowd and let fly a clunker to beat all clunkers.

He wants us to be with Him.  Forever.

So, let the wild bells chime!  Let the trumpets blast!  Let the loud voices rise!

A Child is born.

Clunkers will be remembered no more.

Beautiful music to my ears.

To His, too.

 

Ring in the valiant man and free,
   The larger heart, the kindlier hand;
   Ring out the darkness of the land,
Ring in the Christ that is to be.
(from the poem Ring Out Wild Bells, by Alfred Lord Tennyson)
God showed how much he loved us by sending his one and only Son into the world so that we might have eternal life through him. This is real love—not that we loved God, but that he loved us and sent his Son as a sacrifice to take away our sins.
(1 John 4:9-10, NLT)
© Paul Phillips. He’s Taken Leave. 2021. All Rights Reserved.

Every One a Child

image by Robson Melo on Unsplash

My life for the last couple of weeks has been overshadowed by the Big Event. Playing brass music for the local university’s Christmas service is still cause for nervousness and stress in this veteran of almost forty years of the program. But, that’s all over now.

I expected to write about it today. I sat down to do just that, but it seems the story doesn’t want to be the subject of my mental wanderings just yet.

Instead, I want to talk with you about children. Babies. Toddlers. Teenagers. Ninety-year-olds.

All children.

Why are you wrinkling up your forehead like that?

Oh. Ninety-year-old children. I know. We’ll get to that soon enough.

Sunday night, a day after the Big Event was over, the old guys (and one young lady) in the brass ensemble played one last time, this event—my church’s annual Christmas program. Everyone was welcome to share what they had prepared. No pressure. Encouragement and approval for every performer, young and old, was guaranteed.

I had my worst outing of the whole season, missing more than my share of notes, but heard not one word of criticism. I expected nothing less from this joyful crowd. But what my ensemble did really wasn’t noteworthy on this night.

The beautiful little girl whose sisters were singing a duet was. She added to the music with her lovely dancing on the stage. Mama was worried she’d jostle the guitar-playing sister’s arm, but she was careful not to, pirouetting and flouncing in her own space. Her face beamed as she offered her talent to the Baby King.

There were so many others; there is not enough room here and you don’t have the patience for me to mention them all. The stage filled with kids in the pageant; a few shy beyond showing their faces, others standing on the steps and waving to the crowd. One after another, they brought their gifts, some flawed, some nearly perfect. All were met with approval from the folks who listened and watched.

Piano duets and solos soared—or limped—through all the notes. Vocal offerings followed the same pattern. Joyous applause was the inevitable result.

Ah, but look! The red-headed young man mounts the steps to the stage and, brushing the shock of hair from his forehead, begins a difficult arrangement of Rise Up Shepherds and Follow at the piano.

The jazz-voiced chords are difficult to shape the hands to and the arpeggios from bass to treble and back again require exact positioning of the fingers. There are some starts and stops along the way, but it is all brought to a triumphant ending, and with a flourish, the last note rings out from the big concert grand piano.

With a joyful thumbs-up to the whistling and cheering crowd, the young man strides to the steps, a grin affixed, permanently it would seem, to his lips.

His friend would follow a few moments later, as he and his dad offered up their version of Little Drummer Boy. Dad, with his guitar, sang each verse from the stage, while his son, smiling broadly the entire time, marched up and down each aisle tapping his sticks on a small drum hanging by a cord around his neck. As the song neared an end, the young man mounted the steps and stood, still striking the drum, behind his dad.

It might have been just a little bit of laughter in his dad’s voice that caused his voice to break (but I think there was more to it) when the words “then He smiled at me” came from his mouth. The young man was beaming from ear to ear himself. He didn’t stop beaming as he bowed from the waist, not once, but three times to the thunderous applause.

The two young men are friends and peers. Both have Down syndrome but are ever anxious to learn and share new things. Their joy is contagious; our desire to encourage them in it, completely understandable.

Christmas is for children. I’ve heard it again and again. I have always—in the past, anyway—disagreed.

Well? Surely, it’s obvious. The Christmas story is for all the world. The Gospel of Grace is freely offered to all who come to the God-who-became-a-baby.

Adults. Children. Teenagers.

Christmas is for all. It’s more than presents and carols; more than candy canes and decorations; more than tales of Santa Claus and of talking snowmen. It is.

So much more.

But—and I can’t get past this—our God began His rescue mission as a baby in a manger. He was helpless and dependent. Our Savior.

God came as a child.

And, when the child became a man, He shocked His followers by telling them the only way they could come to His Father was as children. Helpless and dependent. Lost.

Lost.

I’ve forgotten something.

Oh yes. Her. I didn’t really. Forget her, I mean. It’s just that there is pain. And tears.

But there is joy too. So much.

She climbed the steps carrying a violin. Helped by an older man, she ambled over to the piano where the Lovely Lady who lives at my house waited. Leaning over, clearly confused, she handed the violin and bow to the beautiful redhead. A bit confused herself, the pianist talked to her for a moment to reassure her, then handed the violin back to her.

There were notes from the piano and a tone drawn timorously from the violin. Then, as the piano began to play the first notes of Joy to the World, the melody also flowed from the violin. It wasn’t perfect. It didn’t matter.

When the last notes faded down to nothingness, the crowd cheered and applauded louder than ever. I wiped the tears and smiled at the Lovely Lady as she returned to her seat beside me.

Christmas is for children.

The violinist has lived nine decades. She was recognized for many years in our fellowship as a wise woman, a source of advice and wisdom for many young mothers and middle-aged empty nesters. The love and respect she knew from all were well deserved. And she reciprocated those qualities many times over.

For the last several years, we’ve watched her change as an illness has robbed her of memory and wisdom. She still beams as I greet her, but my name is not on her lips anymore. That kind nature has not been lost, but there is no gleam of recognition in her eyes, nor personal bits of conversation when we speak. And therein lies my sadness.

Ah, but the joy is there, too. I heard it in the voices and applause when she finished playing. I feel it when I realize that even in this time of the dear saint’s life, a second childhood if you will, she knows her God and Savior.

Her husband, constantly at her side, related that as my brass group played the instrumental prelude earlier in the evening, she sang every carol. It wasn’t just humming; she sang the words and the tunes.

She does. She still knows her Savior and He knows His dear child.

Christmas is for children. Old and young.

It’s for the Infant, weak and helpless, who was laid in a manger all those years ago.

It’s for the little girl, dancing, carefree, on the stage beside her sisters.

It’s for the young men, adult in age but children in spirit, who will need the care of others their whole life, but who will always have more to give than they ever take.

It’s for folks like you and like me, sometimes arrogant in our certainty, but more often, childlike, coming before a God who knows us. He knows us and still, He loves us.

It’s for the old ones, who have lost the ability to remember and to function as they once did. The Creator of all that is has never forgotten them. Ever.

He won’t forget us either, as we come weak, helpless, and lost.

He became like us, that we might become, one day, like Him.

Christmas is for children.

I pray I’ll be one all my days.

I pray the same for you.

 

For unto us a Child is born; unto us a Son is given…
(Isaiah 9:6a, NKJV)

But Jesus said, “Let the children come to me. Don’t stop them! For the Kingdom of Heaven belongs to those who are like these children.”
(Matthew 19:14, NLT)

© Paul Phillips. He’s Taken Leave. 2021. All Rights Reserved.

 

 

 

Christmas Begins Again

image by PhotoGraphix on Pixabay

I sat in that church sanctuary again last Sunday evening.  You know—the one I had never been to before.  I never expected to go there again.  But the Lovely Lady needed to make a return visit.  I needed to be with her.

What I didn’t know was that I also needed to be with that group of people.  It wasn’t just the choir this time.  The sanctuary was filled with bodies.  Old ones.  Young adult ones.  Little children’s bodies.

These weren’t my people.  I worship in a building filled with chairs instead of pews, where a church calendar is barely acknowledged (I remember Christmas Sundays when the pastor carried on with his expository series in Romans, just as if it were any other Sunday), and where the impact of items in the sanctuary is more functional than symbolic.

The service was all symbolism.  All of it.  Even the music.  There was a lot of that.  The Lovely Lady played her flute with the choir.  Her brother played the pipe organ.  There were guitars and drums.  And an accordion.  Along with the piano, they all combined to draw us into worship.

Did I say these weren’t my people? 

They were. They are.

How have we decided we are not related?  When did we begin to determine our relationships by differences in style?  In doctrinal differences?  In musical preferences?

I sat in that sanctuary, a stranger surrounded by family members long estranged.

And we worshipped together.

Together.

If Jesus does not bring us together, pushing aside our differences, are we truly following Him?

If love and kinship in Him do not still draw us to each other, how will we ever worship together in eternity, in that great gathering around His throne?

“Oh come let us adore Him.
Worship Christ the Lord.”

Adore.

Do we?

Will we?

 

 

© Paul Phillips. He’s Taken Leave. 2021. All Rights Reserved.